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Introduction refers to the history of rock music.How was created and were evolved.
Chapter I deals with drugs,sex, the impact of rock music over society and its beginigs in 1970s and 1980s.
Chapter II refers to the concerts against Aid and the positive aspects of music.
Chapter III its about the famous band The Beatles.It refers to their hitory and succes.
Chapter IV refers to satanic cults and Process Church and haw many famous singers sang for Satan.
In chapter V the main idea it's about kids who commited suicide or killed someone else when they were listening to rock music.
The final chapter it's about the famous band called PINK FLOYD their history, their hits and their succes.
The conclusion

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Rock and roll (also known as rock 'n' roll) is a form of music that evolved in the United States in the late 1940s and early 1950s, and quickly spread to the rest of the world.

Classic rock and roll is played with one or two electric guitars (one lead, one rhythm), a string bass or (after the mid-1950s) an electric bass guitar, and a drum kit. In the earliest rock and roll styles of the late 1940s and early 1950s, either the piano or saxophone was often the lead instrument, but these were generally replaced or supplemented by guitar in the mid to late 1950s. The beat is essentially a boogie woogie blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum.

The massive popularity and eventual worldwide view of rock and roll gave it an unprecedented social impact. Far beyond simply a musical style, rock and roll, as seen in movies and in the new medium of television, influenced lifestyles, fashion, attitudes, and language. It later spawned the various sub-genres of what is now called simply 'rock music'.

CHAPTER I Rock and rebellion

As the original generations of rock and roll fans matured, the music became an accepted and deeply interwoven thread in popular culture. Beginning in the early 1970s, rock songs and acts began to be used in a few television commercials; within a decade this practice became widespread. Starting in the 1980s rock music was often featured in film and television program soundtracks.

Just as jazz lost its ability to offend, so did rock. While mainstream rock music was no longer able to shock or offend, new forms of music, particularly the punk scene in the late-1970s and rap and hip-hop in the late-1980s as well as some pop acts, emerged to fill this role.

Sex, Drugs, and Rock and Roll

The rock and roll lifestyle was popularly associated with sex and drugs. Many of rock and roll's early stars (as well as their jazz and blues counterparts) were known as hard-drinking, hard-living characters. During the 1960s a decadent lifestyle of many stars became more publicly known, aided by the growth of the underground rock press which documented such excesses, often in exploitative fashion. Musicians had always attracted attention from the opposite sex; groupies (girls who followed musicians) spent time with and often did sexual favors for band members, appeared in the 1960s.

While some rock groups eschewed such attention in favor of long-term relationships, other groups and artists did little to discourage it, and many tales (both true and exaggerated) of sexual escapades became part of rock music legacy during the heyday of the rock era. As the heyday was over rock lost a lot of its connection with sex while Rap, R&B and later on Pop have far more sexaul content in there songs than rock and have also took over the idea of artists being sex symbols.

Drugs were often a big part of the rock music lifestyle. In the 1960s, psychedelic music arose; some musicians encouraged and intended listeners of psychedelic music to be under the influence of LSD or other hallucinogenic drugs as enhancements to the listening experience. Jerry Garcia of the rock band Grateful Dead said "For some people, taking LSD and going to Grateful Dead show functions like a rite of passage.... we don't have a product to sell; but we do have a mechanism that works."

The popularity and promotion of recreational drug use by musicians may have influenced use of drugs and the perception of acceptability of drug use among the youth of the period. When the Beatles, once marketed as clean-cut youths, started publicly acknowledging using Cannabis, many fans followed. Journalist Al Aronowitz wrote "...whatever the Beatles did was acceptable, especially for young people. Pretty soon everybody was smoking it, and it seemed to be all right." The relationship of rock music to the hippie and counterculture movements, which espoused use of marijuana and other drugs, is complex and intertwined, and it is not always clear in which direction influence flowed. What is clear is that by the end of the 1960s, drugs and rock music were part of a common youth scene and that both some

Bibliografie:

Escott, Colin:Good rockin' tonight:birth of rock 'n' roll (St. MartinPress, 1991)

Gribin,Anthony J:Doo-wop:the forgotten third of rock 'n' roll (Krause Publications, 1992)

Hamm, Charles:Yesterdays: Popular Song in America (Norton, 1979)

Kingman Daniel: American Music (Schirmer, 1979)

Marsh Dave: Sun Records: an oral history (Avon Books, 1998)

Time Life: Rock & roll generation:teen life in the 50s (Time-Life Books, 1998)

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