Thomas Hardys major novel. Tragic elements

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1 FOREWORD
2 INTRODUCTION
3 THE MAYOR OF CASTERBRIDGE. A TRAGEDY OF HYBRIS
4 TESS OF THE DURBERVILLES. A TRAGEDY OF TRANSITION
5 JUDE THE OBSCURE. A PSYCHOLOGICAL CLASH
6 CONCLUSIONS
7 BIBLIOGRAPHY

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Tragedy is a term with many meanings and various critics and writers have endeavoured to give a definition of this concept. It can be applied to drama, poetry an fiction and its general function is to celebrate the individual s dignity and greatness in the face of defeat. This paper is aimed at giving more a practical application than a theoretical account on the concept of tragedy and at emphasizing Hardy s position as a modern tragic writer.

In the introduction there are presented some theoretical aspects related to this subject starting with Aristotle s definition given in his Poetics, followed by some opposed critical views expressed by modern writers. The three major types of tragedy have been defined here (tragedy of destiny, tragedy of psychology and tragedy of hybris) being applied to Hardy s tragic novels: Tess of the D Urbervilles, Jude the Obscure and The Mayor of Casterbridge.

The first chapter focuses on the novel The Mayor of Casterbridge seen as a tragedy of hybris.

Michael Henchard is a tragic hero because he breaks a universal moral law by selling his wife and child for five guineas under the influence of his overwhelming pride. The novel combines tragic elements from the Greek tragedy with modern ones. The second chapter entitled Tess of the D Urbervilles. A Tragedy of Transition underlines Tess s position as a victim both of fatum malus and of her own tragic flaw represented by an exaggerated guilt and an impulsive, passionate personality.

The last chapter deals with Hardy s protagonist, Jude Fawley who is torn between flesh and spirit.

This duality becomes his tragic flaw and reinforces his position as a tragic hero, incapable of finding peace and happiness in a disordered world.

I have chosen to analyse this subject because Hardy remains an important Victorian writer who underlined man s greatness in failure pointing out some deficiencies in the modern society.

For centuries tragedy was a debated concept and various writers have endeavoured to define it and to express their opinion about tragic plot and tragic themes. An outstanding representative of these is Thomas Hardy who was influenced by the Greek tragedy, the Old Testament and Shakespeare in his artistical orientation and helped him become a great tragic writer.

The etymology of the word tragedy is very elusive and it can be traced to the Greek word tragoidia which literally means goat-song. The term can be defined as a dramatic presentation of serious actions in which the main character that is the tragic hero has a disastrous fate. This definition can satisfy us at a superficial level and that is why we shall try to echo other critics opinion on the subject.

The first flourishing period for tragedy was during Aristotle time the first who tried to define this form of art in Poetics.

He states that tragedy is the imitation of an action that is serious, complete and of a certain magnitude; in language embellished with each kind of artistic ornament, the ...

Bibliografie:

HARDY THOMAS - "TESS OF THE DURBERVILLES" - NEW YORK AND LONDON, PENGUIN BOOKS, 1994

HARDY THOMAS - "THE MAYOR OF CASTERBRIDGE" - NEW YORK AND LONDON, PENGUIN BOOKS, 1994

HARDY THOMAS - "JUDE THE OBSCURE" - NEW YORK AND LONDON, PENGUIN BOOKS, 1994

BAKER ERNEST A. - "THE HISTORY OF THE ENGLISH NOVEL" - VOL. IX - THE DAY BEFORE YESTERDAY, NEW YORK, 1966

CARPENTER RICHARD - "THOMAS HARDY" - NEW YORK, TWAYNE PUBLISHERS, 1964

CUTITARU CODRIN - LIVIU - "ISTORIA DEPERSONALIZATA" - IASI, EDITURA UNIVERSITATII "AL. I. CUZA", 1997

FIRMIN ROZ - "LE ROMAN ANGLAIS CONTEMPORAIN" - PARIS, LIBRAIRIE HACHETTE, 1912

GIORDANO JR. , FRANK R. - "ID HAVE MY LIFE UNBE: THOMAS HARDYS SELF - DESTRUCTIVE CHARACTERS" - ALABAMA, UNIVERSITY OF ALABAMA, 1984

GREENSLADE WILLIAM - "DEGENERATION" - CULTURE AND THE NOVEL (1880 - 1940), ENGLAND, CAMBRIDGE UNIVERSITY PRESS, 1994

GUERRARD ALBERT, J. HARDY - "A COLLECTION OF CRITICAL ESSAYS" - NEW JERSEY, PRENTICE HALL, ENGLEWOOD CLIFFS, 1963

HANDLEY GRAHAM - "THOMAS HARDY - TESS OF THE DURBERVILLES" - LONDON, PENGUIN BOOKS, 1991

HARDY BARBARA - "TELLERS AND LISTENERS - THE NARRATIVE IMAGINATION" - ENGLAND, UNIVERSITY OF LONDON, THE ATHLONE PRESS, 1975

HOLMAN C. - "HUGH AND HARMON, WILLIAM. A HANDBOOK TO LITERATURE" - FIFTH EDITION, NEW YORK AND LONDON, MACMILLAN PUBLISHING COMPANY, 1986

KETTLE ARNOLD - "AN INTRODUCTION TO THE ENGLISH NOVEL" - VOL. II. LONDON, HUTCHINSON UNIVERSITY LIBRARY, 1969

KRUTCH J. W. - "PROBLEMS IN AESTHETICS" - LONDON, MACMILLAN PUBLISHING COMPANY, 1970

LIICEANU GABRIEL - "TRAGICUL. O FENOMENOLOGIE A LIMITEI SI DEPASIRII" - BUCURESTI, HUMANITAS, 1993

MICHEL LAURENCE, SEWALL RICHARD B. - "TRAGEDY:MODERN ESSAYS IN CRITICISM" - NEW JERSEY, PRENTICE HALL, ENGLEWOOD CLIFFS, 1963

RACHET GUY - "TRAGEDIA GREACA" - TRADUCEREA CRISTIAN UNTEANU, BUCURESTI, UNIVERS, 1980

VAN GHENT DOROTHY - "THE ENGLISH NOVEL. FORM AND FUNCTION" - NEW YORK, HARPER TORCHBOOKS, THE ACADEMY LIBRARY, 1961

VERES GRIGORE - "A COURSE IN 19TH CENTURY AND EARLY 20TH CENTURY ENGLISH LITERATURE AND CIVILIZATION" - PART I, THE NOVEL, IASI, 1979

VOLKELT JOHANNES - "ESTETICA TRAGICULUI" - TRADUCEREA EMERIC DEUTSCH, BUCURESTI, UNIVERS, 1978

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